- Hem
- Om universitetet
- Hitta person
- Anna Backman Rogers
Anna Backman Rogers
Professor
Avdelningen för estetikOm Anna Backman Rogers
I hold a PhD from the University of Edinburgh, UK. I previously worked at the University of Groningen, Netherlands and the University of Stockholm, Sweden.
I am the author of American Independent Cinema: Rites of Passage and The Crisis Image (Edinburgh University Press, 2015); Sofia Coppola: The Politics of Visual Pleasure (Berghahn 2018) which was a CHOICE Academic Title of the year for 2019; Still Life: Notes on Barbara Loden's 'Wanda' (1970) (Punctum Books, 2021); and Peter Weir's Picnic at Hanging Rock (BFI Classics/Bloomsbury: 2022).
I am the co-editor with Laura Mulvey of Feminisms (Amsterdam University Press, 2015) and the co-editor with Boel Ulfsdotter of Female Authorship and the Documentary Image: Theory, Practice and Aesthetics, and Female Agency and Documentary Strategies: Subjectivities, Identity, and Activism (both with Edinburgh University Press, 2018)
I am the co-founder and editor in chief, with Anna Misiak, of the online academic feminist journal MAI: FEMINISM AND VISUAL CULTURE (www.maifeminism.com)
I am the co-founder and editor in chief with Jenny Chamarette of the MAI imprint with Punctum Books (https://punctumbooks.com/imprints/mai-feminism-and-culture/)
I am currently preparing a monograph on the iconography of Lana Del Rey (Bloomsbury 2025/6). I am co-editing with Kimberly Lamm a book on the feminist legacies of filmmaker and theorist, Laura Mulvey (Bloomsbury, 2025); I am also co-editing with Suzanne Ferriss a book on female fashion photographers.
I sit on the board for the Key Debates series published with Amsterdam University Press (https://www.aup.nl/en/series/the-key-debates-mutations-and-appropriatio…)
I have been awarded the Riksbanken Jubileumsfond Sabbatical for research twice (2021, 2024).
If you have queries about opportunities to pursue doctoral studies, please consult the employment portal on the University of Gothenburg's international website. All positions/opportunities are advertised there.
-
Feminism : “You Cannot Go Deaf to Women's
Voices”
Anna Backman Rogers
The Bloomsbury Handbook to Sofia Coppola / edited by Suzanne Ferriss. - 2023 -
Barbara Loden's 'Wanda' (1970): A Radically Negative
Aesthetic.
Anna Backman Rogers
Women and New Hollywood: Gender, Creative Labor, and 1970s American Cinema / edited by Aaron Hunter and Martha Shearer - 2023 -
Representing Women's
Realities
Anna Backman Rogers
Mai: Feminism & Visual Culture - 2023 -
Picnic at Hanging
Rock
Anna Backman Rogers
2022 -
Masculinities on screen: Sites of contestation and
vulnerability
Anna Backman Rogers
Program essay for IDFA Documentary Film Festival - 2022 -
Still Life: Notes on Barbara Loden's 'Wanda'
(1970)
Anna Backman Rogers
2021 -
Liminal Spaces, Lesbian Desire and Veering off Course in Todd Haynes’s Carol
(2015)
Anna Backman Rogers
Film and Domestic Space: Architectures, Representations, Dispositif - 2020 -
And that I see a darkness : the stardom of Kirsten Dunst in collaboration with Sofia Coppola in three
images
Anna Backman Rogers
Film-Philosophy. International Salon-Journal - 2019 -
Liminal Spaces, Lesbian Desire and Veering off Course in Todd Haynes’s Carol
(2015)
Anna Backman Rogers
Film and domestic space - 2019 -
Review of Lucy Bolton´s contemporary cinema and the philosophy of Iris
Murdoch
Anna Backman Rogers
The Iris Murdoch review - 2019 -
A dialogue with Julia
Peirone
Anna Backman Rogers
Mai : feminism & visual culture - 2019 -
Bringing Brigid Brophy back : Brophy´s feminist
legacy
Anna Backman Rogers
Mai : feminism & visual culture - 2019 -
In conversation with Aparna Sharma : feminist documentary practice in northern
India
Anna Backman Rogers
Mai : feminism & visual culture - 2019 -
Sofia Coppola : the politics of visual
pleasure
Anna Backman Rogers
2019 -
Imaging Absence as Abjection: The Female Body in Sofia Coppola’s The Virgin
Suicides
Anna Backman Rogers
Screening the past - 2018 -
Introduction to Female Agency and Documentary Strategies. Subjectivities, Identity and
Activism
Boel Ulfsdotter, Anna Backman Rogers
Female Agency and Documentary Strategies Subjectivities, Identity and Activism / Boel Ulfsdotter, Anna Backman Rogers (red.) - 2018 -
Introduction to Female Authorship and the Documentary Image
Theory, Practice and
Aesthetics
Boel Ulfsdotter, Anna Backman Rogers
Female Authorship and the Documentary Image Theory, Practice and Aesthetics / edited by Boel Ulfsdotter, Anna Backman Rogers - 2018 -
"The Final Projects of Hannah Wilke and Jo Spence": A dialogue between Elena Crippa and Anna Backman
Rogers
Anna Backman Rogers
Female authorship and the documentary image : theory, practice and aesthetics / edited by Boel Ulfsdotter, Anna Backman Rogers - 2018 -
Female Agency and Documentary Strategies: Subjectivities, Identity and
Activism
Boel Ulfsdotter, Anna Backman Rogers
2018 -
"Not Because My Heart Is Gone; Simply The Other Side": Francesca Woodman’s Relational and Ephemeral Subjectivity at the Limit of the
Image"
Anna Backman Rogers
Female Agency and Documentary Strategies Subjectivities, Identity and Activism / edited by Boel Ulfsdotter, Anna Backman Rogers. - 2017 -
Female Authorship and the Documentary Image: Theory, Practice and
Aesthetics
Boel Ulfsdotter, Anna Backman Rogers
2017 -
Abandoning Happiness for Life: Mourning and Futurity in Maja Borg’s Future My Love
(2012)
Anna Backman Rogers
The European Journal of Women's Studies - 2016 -
Unnameable
Anna Backman Rogers
Psychoanalysis and the Unrepresentable: From culture to the clinic / edited by Agnieszka Piotrowska and Ben Tyrer - 2016 -
Imaging grief and loss : Laura Mulvey's Death 24 x a second as
film-philosophy
Anna Backman Rogers
De Arte - 2015 -
Preface
Anna Backman Rogers
Feminisms. Diversity, Difference and Multiplicity in Contemporary Film Cultures / edited by Laura Mulvey and Anna Backman Rogers - 2015 -
Disconnection Notices: An Interview with Miranda
July
Miranda July, Anna Backman Rogers
Feminisms. Diversity, Difference and Multiplicity in Contemporary Film Cultures / edited by Laura Mulvey and Anna Backman Rogers. - 2015 -
American Independent Cinema : rites of passage and the crisis
image
Anna Backman Rogers
2015 -
Lena Dunham ’ s Girls : Can-Do Girls, Feminist Killjoys, and Women Who Make Bad
Choices
Anna Backman Rogers
Feminisms. Diversity, Difference and Multiplicity in Contemporary Film Cultures / edited by Laura Mulvey and Anna Backman Rogers. - 2015 -
Feminisms : diversity, difference and multiplicity in contemporary film
cultures
Laura Mulvey, Anna Backman Rogers
2015 -
The crisis of performance and performance of crisis: The powers of the false in Grey Gardens
(1976)
Anna Backman Rogers
Studies in Documentary Film - 2015 -
Realism and Gus Van Sant’s
Elephant
Anna Backman Rogers
Realism and The Audiovisual Media / Lúcia Nagib and Cecilia Mello (eds.) - 2014 -
A Real Human Being and A Real hero : Stylistic Excess, Dead Time and Intensified Continuity in Nicolas Winding Refn's
'Drive'
Anna Backman Rogers, Miklós Kiss
New Cinemas - 2014 -
Review of Deleuze and Cinema, Deleuze and World Cinema and Deleuze and the Cinemas of Performance: Powers of
Affection
Anna Backman Rogers
New Cinemas - 2013 -
The Body of Dissolution: Becoming-Imperceptible in Gus Van Sant’s Last
Days.(2004)
Anna Backman Rogers
European Journal of American Culture - 2013 -
Review: Female Consciousness: Irigaray, Cinema and Thinking
Women
Anna Backman Rogers
Screen - 2012 -
The Historical Threshold : Crisis, Ritual and Liminality in Sofia Coppola’s Marie-Antoinette
(2006)
Anna Backman Rogers
Relief:Revue de Litterature Francaise - 2012 -
Ephemeral Bodies and Threshold Creatures: The Crisis of the Adolescent Rite of Passage in Sofia Coppola’s The Virgin Suicides and Gus Van Sant’s
Elephant
Anna Backman Rogers
Necsus: European Journal of Media Studies - 2012 -
Making Nothing Happen: The Transition from Reactive Nihilism to Affirmation in Jim Jarmusch’s Broken Flowers
(2005)
Anna Backman Rogers
Alphaville: Journal of Film and Screen Media. - 2011