Filmmusik

Buhler, James (2019). Theories of the Soundtrack. Chapter 6. Oxford: Oxford University Press, 158-61; 168-186. [23 pp.] https://www.ub.gu.se/sv.

Buljančević, Rastko (2023). “Neo-liberal Transgressions in the Contemporary Film Industry: Classical Music and Dehumanised Musical Bodies in the Films The Perfection (2018) and Nocturne (2020).” El oído Pensante, 11(2). https://doi.org/10.34096/oidopensante.v11n2.13331 [32 pp.]

Buljančević, Rastko (2024). “Echoes of a Cultural Trauma: Listening to Musical Phantasms in the Dark Fantasy Pan’s Labyrinth (2006)”. Muzikologija, 37 (2). [ca. 22 pp.]

Chion, Michel (1994). Audio-Vision: Sound on Screen. New York: Columbia University Press, Part One, 25-34; 95-122 [36 pp.]

Gorbman, Claudia (1987). Unheard Melodies: Narrative Film Music. Bloomington: Indiana University Press. “Introduction” + Chapters 1-5, 1-109. [109 pp.]

Heldt, Guido (2013). Music and Levels of Narration in Film: Steps across the Border. Bristol: Intellect, 1-135. [135 pp.]

Kalinak, Kathlyn (2010). Film Music: A Very Short Introduction. Oxford: Oxford University Press. [160 pp.]https://ebookcentral-proquest-com.ezproxy.ub.gu.se/lib/gu/reader.action?docID=497617&ppg=1

Kulezic-Wilson, Danijela (2020). Sound Design is the New Score: Theory, Aesthetics, and Erotics of the Integrated Soundtrack. Oxford: Oxford University Press, Chapters 4-5, 89-150 [61 pp.]

Kornbluh, Anna (2024). Immediacy, or, The Style of Too Late Capitalism. London: Verso, Chapters 1-3 [ca. 45 pp.]

Mera, Miguel (2016) “Towards 3-D Sound: Spatial Presence and the Space Vacuum,” in: Liz Green and Danijela Kulezic-Wilson (eds.) The Palgrave Handbook of Sound Design and Music in Screen Media: Integrated Soundtracks. London: Palgrave Macmillan, 91-111 [20 pp.]

Ritchey, Marianna (2019). Composing Capital: Classical Music in the Neoliberal Era. Chicago: University of Chicago Press, Introduction (1-21 pp.) and Conclusion (140-163 pp.) [44 pp.]

Smith, Paul Julian (2007). “Pan’s Labyrinth (El laberinto del fauno).” Film Quarterly 60 (4): 4-9. DOI: https://doi.org/10.1525/fq.2007.60.4.4. [5 pp.]

Stilwell, Robynn (2007). ‘The Fantastical Gap between the Diegetic and Nondiegetic’, in Daniel Goldmark, Lawrence Kramer, and Richard Leppert (eds), Beyond the Soundtrack: Representing Music in Cinema, Berkeley and Los Angeles: University of California Press, 184–202. [18 pp.]

Tagg, Philip (1992). “Functions of Film Music: A Miscellaneous Terminology”, http://tagg.org/teaching/mmi/filmfunx.html [4 pp.]

Winters, Ben (2010). ”The Non-Diegetic Fallacy: Film, Music, and Narrative Space”, Music & Letters, 91(2), 224-243. [19 pp.] https://muse-jhu-edu.ezproxy.ub.gu.se/article/386906

Total pages: 733