Konstvetenskaplig teori och praktik

Bätschmann, Oscar, “A Guide to Interpretation: At Historical Hermeneutics”, i: Bryson, Norman, Holly, Michael Ann & Moxey, Keith P. F. (red.), Visual culture: images and interpretations, Univ. Press of New England, Hanover, N.H., 1994

Kemp, Wolfgang, “The Work of Art and its beholder: The Methodology of the Aesthetic of Reception”, i: Cheetham, Mark A., Holly, Michael Ann & Moxey, Keith P. F. (red.), The subjects of art history: historical objects in contemporary perspectives, Cambridge University Press, Cambridge, 1998.

Kemp, Wolfgang, “The Theater of Revolution: A New Interpretation of Jacques-Louis David’s Tennis Court Oath”, i: Norman Bryson, Michael Ann Holly & Keith P. F. Moxey (red.), Visual culture: images and interpretations, Univ. Press of New England, Hanover, N.H., 1994, s. 202-228.

Kjørup, Søren, "Art as the Other? Reflections on Craft’s and Fine Art’s Places in the Aesthetic Field" i: Aukrust, Kjerstin (red.), Assigning cultural values, Peter Lang, Frankfurt am Main, 2013, s. 191–205.

Kjørup, Søren, Människovetenskaperna: problem och traditioner i humanioras vetenskapsteori, 2., [rev. och uppdaterade] uppl., Studentlitteratur, Lund, 2009, kapitel 13: Hermeneutiken

Morris, William, “The Lesser arts of life”, I: The Collected Works of William Morris. Vol. 22, Hopes and Fears for Art; Lectures on Art and Industry, Cambridge University Press, Cambridge, 1966, s. 235-269. [PDF]

Parker, Roszika, “The Creation of Femininity”, from The Subversive Stitch: Embroidery and the making of the Feminine”, i: Glenn Adamson (ed.), The Craft Reader, Berg, Oxford, New York, 2010. S. 491–500.

Sigurdson, Ola, Atmosfärer: en introduktion, Andersson Örn, Stockholm, 2023, 128 s.

Veiteberg, Jorunn, “The End of Craft?”, I: Jorunn Veiteberg, Craft in Transition, Kunsthögskolen i Bergen, Pax Forlag, Bergen 2005, s. 11–44 [PDF]