Postcinema
Om litteraturlistan
FL2140 Postcinema
Litteraturlista VT25
Lisa Åkervall
Kursbok: Denson, Shane & Leyda, Julia (ed.), Post-Cinema: Theorizing 21st-Century Film, 2016. https://reframe.sussex.ac.uk/post-cinema/
Alexander, Neta, “Rage against the Machine: Buffering, Noise, and Perpetual Anxiety in the Age of Connected Viewing,” Cinema Journal, Vol. 56, No. 2, Winter 2017, 1–24.
Bolter, Jay David and Grusin, Richard, “The Remediated Self,” “The Virtual Self,” Remediation: Understanding New Media, Cambridge 1999, 230–241, 242–255.
Bordwell, David, “Intensified Continuity: Visual Style in Contemporary American Film,” Film Quarterly, Vol. 55, No. 3, Spring 2002, 16–28.
Buckland, Warren, “Puzzle Plots,” Buckland (ed.), Puzzle Films: Complex Storytelling in Contemporary Cinema, 1–12.
Chan, Carson “WeTransfer: Mediating the Mediated Self,” Texte zur Kunst, No. 99, September 2015.
https://www.textezurkunst.de/99/wetransfer-mediating-mediated-self/
Chan, Anita Say, “Decolonial Computing and Networking Beyond Digital Universalism,” Catalyst: feminism, theory, technoscience, Vol 4, no. 2, 2018.
Chun, Wendy Hui Kyong and Friedland, Sarah, “Habits of Leaking: Of Sluts and Network Cards,” differences: A Journal of Feminist Cultural Studies, Vol. 26, No. 2, 2015, 1–28.
Deleuze, Gilles, “Postscript on the Societies of Control,” October, Vol. 59, Winter 1992, 3–7.
Denson, Shane, “Crazy Cameras, Discorrelated Images and the Post-Perceptual Mediation of Post-Cinematic Affect,” Denson & Julia Leyda (ed.), Post-Cinema: Theorizing 21st-Century Film, 2016, 193–233.
https://reframe.sussex.ac.uk/post-cinema/
Elsaesser, Thomas, “The Mind-Game Film,” Warren Buckland (ed.), Puzzle Films, Oxford 2009, 13–41.
https://film3410.wordpress.com/wp-content/uploads/2011/02/elsaesser-the-mind-game-film.pdf
Franklin, Seb, “Control,” Seb Franklin, Control: Digitality as Cultural Logic, Cambridge, 2015, 3–38.
Galloway, Alexander, “Origins of the first-person shooter,” Gaming: Essays on Algorithmic Culture, Minneapolis 2006, 39–69.
Grusin, Richard, DVDs, “Videogames, and the Cinema of Interactions,” Shane Denson & Julia Leyda (ed.), Post-Cinema: Theorizing 21st-Century Film, 2016, 65–87.
https://reframe.sussex.ac.uk/post-cinema/
Hui-Hu, Tung, “Seeing the Cloud of Data,” A Prehistory of the Cloud, Cambridge 2015, 111–144.
Jenkins, Henry, “Introduction: Worship at the Altar of Convergence: A New Paradigm for Understanding Media Change,” Convergence Culture, New York 2006, 1–24.
Jenkins, Henry, “Searching for the Origami Unicorn: The Matrix and Transmedia Storytelling,” Convergence Culture, New York 2006, 93–130.
Kim, Jihoon, “Postinternet Art of the Moving Image and the Disjunctures of the Global and the Local,” CLCWeb: Comparative Literature and Culture, 21.7. 2019.
https://doi.org/10.7771/1481-4374.3657
Lavik, Erlend, “The Video Essay: The Future of Academic Film and Television Criticism?,” Frames Cinema Journal, 1–19.
Lee, Kevin B., “De-Coding or Re-Coding,” Malte Hagener, Vinzenz Hediger, Alena
Strohmaier (ed.), The State of Post-Cinema: Tracing the Moving Image in the Age of Digital Dissemination, London, 2017, 211–224.
https://reframe.sussex.ac.uk/post-cinema/
Manovich, Lev, “Database as a Symbolic Form,” Convergence, June 1999, 80–99.
McLuhan, Marshall,“Media as Translators,” McLuhan, Understanding Media, Cambridge 1994,
56–61.
McWhirter, “Film criticism, film scholarship, and the video essay,” Screen Vol. 56 No. 3, Autumn 2015, 369–377.
Munster, Anna, “Going Viral: Contagion as Networked Affect, Networked Refrain,” An Aesthesia of Networks: Conjunctive Experience in Art and Technology, Cambridge 2013, 99–123.
Parks, Lisa, “Cover your Webcam: Unencrypting Laura Poitras Citizenfour,” Film Quarterly, Vol. 68, No. 3, Spring 2015, 11–16.
Poulaki, Maria, “Network Films and Complex Causality,” Screen, Vol. 55, Nr. 3, Autumn 2014, 379–395.
Rascaroli, Laura, “The Essay Film: Problems, Definitions, Textual Commitments”, Framework: The Journal of Cinema and Media, Vol. 49, No. 2, 24–47.
Shaviro, Steven, “Post-Continuity: An Introduction,” Shane Denson & Julia Leyda (ed.), Post-Cinema: Theorizing 21st-Century Film, 2016, 51–64.
Shaviro, Steven, “Post-Cinematic Affect,” Shane Denson & Julia Leyda (ed.), Post-Cinema: Theorizing 21st-Century Film, 2016, 129–144.
Shaviro, Steven,“Gamer,” Post Cinematic Affect, Washington. O-Books, 2010, 93–130.
Wark, McKenzie, “Allegory (on THE SIMS),” McKenzie Wark, Gamer Theory, 2007, 26–50.
Shifman, Limor, “An Anatomy of a YouTube Meme,” New Media & Society, 2011, 1–17.
Hesselberth, Pepita and Poulaki, Maria, “Compact Cinematics,” NECSUS: European Journal of Media Studies, Spring 2016.
http://www.necsus-ejms.org/compact-cinematics/
Simons, Jan, “Complex Narratives,” New Review of Film and Television Studies, Vol. 6, No. 2, 2008, 111–126.
Steyerl, Hito, “In Defense of the Poor Image,” The Wretched of the Screen, e-flux, New York
2012, 32–45.
Steyerl, Hito and Poitras, Laura, “Techniques of the Observer,” ARTFORUM, May 2015. Turkle, Sherry “Always On,” “Growing Up Tethered”, “No Need to Call”, in Alone Together: Why we expect more from technology and less from each other, Cambridge 2011, 151–170,
171–186, 187–210.
Van Dijck, José, “Facebook and the Imperative of Sharing,” Van Dijk, The Culture of Connectivity: A Critical History of Social Media, Oxford 2013, 45–67.