Filmvetenskap, kandidatkurs

Delkurs 1: Filmvetenskapliga teorier och metoder

de la Cruz, Khavn, “Digital Dekalogo: A Manifesto for a Filmless Philippines (the Philippines, 2003),” Film Manifestos and Global Cinema Cultures, Ed. Scott MacKenzie, University of California Press, 2003, 588-589.

Denson, Shane, Discorrelated Images, Duke University Press, 2020.

García Espinoza, Julio, *For an Imperfect cinema, *Jump Cut, no. 20, 1979, pp. 24-26.

Jenkins, Henry, “Introduction: Worship at the Altar of Convergence: A New Paradigm for

Understanding Media Change,” Convergence Culture, New York 2006, 1–24

Jenkins, Henry, “Searching for the Origami Unicorn: The Matrix and Transmedia Storytelling,” Convergence Culture, New York 2006, 1–24 and 93–130.

Jeong, Seung-hoon, “Network Narratives in Global Cinema: The Shift from Community to Network and Their Narrative Logics,” Panoptikum nr 26 (33) 2021.

Poulaki, Maria, “Network Films and Complex Causality,” Screen, Vol. 55, Nr. 3, Autumn 2014, 379–395.

Shaviro, Steven, “Post-Continuity,” Shane Denson & Julia Leyda, Post-Cinema: Theorizing 21 -Century Film, 2016, 51–64.

https://reframe.sussex.ac.uk/post-cinema/1-2-shaviro

Sobande, Francesca, “Awkward Black girls and post-feminist possibilities: Representing millennial Black women on television in Chewing Gum and Insecure,” Critical Studies in Television: The International Journal of Television Studies, Volume 14, Issue 4, December 2019, 435-450.

Steyerl, Hito, “In Defense of the Poor Image,” The Wretched of the Screen, e-flux, New York

2012, 32–45.

Wanzo, Rebecca, “Precarious-Girl Comedy: Issa Rae, Lena Dunham, and Abjection

Aesthetics,“ Camera Obscura, Vol 31, No 2, 27–59.

Other texts might be added

Delkurs 2, Tillämpad filmvetenskap

Furstenau, Marc (2010) The Film Theory Reader: Debates and Arguments (London: Routledge)

Dessutom tillkommer ett antal texter som väljs ut i samspråk med studenterna.